The Three Little Pigs

Noted for her lyrical pathos and comedic flair, mezzo-soprano Brittany Fowler has been praised by the New York Times for her “dynamically fluid characterization”. Recent professional engagements include Ronnie in the American Opera Project’s workshop of Pete Wyer’s Ga Sho, Dorothy Hindman’s The Pillowbook with Fresh Squeezed Opera, Buxtehude’s Membra Jesu Nostra in Pennsylvania, and First Lover in a workshop of Kate Soper’s The Romance of the Rose with the Wet Ink Ensemble. Other operatic roles include Larina (Eugene Onegin), Ottavia (L’incoronazione di Poppea), Meg (Little Women), The Mother (Amahl and the Night Visitors), and La Musica (L’Orfeo). She received her BA in Music and Italian Studies from Wesleyan University; she has been Young Artist with the Boston Early Music Festival and Opera North as well as pursued extended studies at the University of Bologna in Italy. 

Hailed as “…a showstopper” (Saint Petersburg Times), bass-baritone Seán Kroll’s 2017 highlights include Marcello in La Bohème with Capitol Opera Laguna and a premier with Prelude Opera in a Mozart pastiche entitled,  The Three Little Pigs.  2015- 2016 highlights include the King in Opera Fayetteville’s The Little Prince, Figaro with Dell’Arte Opera.Previous engagements include his return tour to the People’s Republic of China as soloist with the South Shore Orchestra, the roles of Achilla in Handel’s Cesare in Egitto, Ariodate in Handel’s Serse, King Rene in Tchaikovsky’s Iolanta, and LeBailli in Massenet’s Werther.  and his New York debut shows off-Broadway starring in Roboff & Newman’s Carmen’s Place: A Fantasy at the Castillo Theater on 42nd Street.

Kroll has sung across the United States, in Europe and Asia. Highlights include: the title role of Don Giovanni, Escamillo and Zuniga (Carmen),  Colline and Marcello (La Bohème), Papageno (Magic Flute),  Don Alfonso (Cosi fan Tutte), Dulcamara (L’Elisir d’Amore), Ewald (Lehár’s Springtime), Melchior (Amahl and the Night Visitors), Sam (Trouble in Tahiti) and in the realm of music theater, Cinderella’s Prince, the Mysterious Man, the Narrator and the Wolf  (Sondheim’s Into the Woods).

Concert credits include opening the Galena Summer Music Festival and a gala for the Jeffrey Arnold Foundation, the Second Saturday Recital Series at the treasured landmark Quigley Chapel in Chicago with opera arias by Handel and Mozart, Schubert and Strauss lieder, Fauré chanson and classic Broadway hits; as soloist for Chicago Opera Theater (Poulenc’s Le Bestiaire), Music by the Lake Singers (Bach’s Magnificat), Opera Santa Barbara, Music Institute of Chicago (Mozart’s Requiem),  Sonic Inertia (Berkhout’s Uphill).

An alumnus of the Chicago Opera Theater, Opera Santa Barbara and Saint Petersburg Opera artist development programs, Kroll graduated with a degree in Vocal Performance from Northwestern University and trained at the International Institute of Vocal Arts in Chiari, Italy and continues studies with Bill Schuman in New York City.

Baritone, Jonathan Morales, has been highly praised with his work on the operatic stage, slowly establishing himself as a brilliant stage artist and intensely emotional singer, with a warm versatile voice that has turned the eyes of several critics and reviewers. He was most recently seen as Atzuko in the highly acclaimed Figaro! 90210 at the Duke Theater on 42nd St. Being regarded by WQXR (New York’s Classical Radio Station) as “…destined for larger stages…” In his performance of La Rondine, Jonathan was heralded as “…a scene-stealer as poet Prunier. 

Though he had ease in the tenor’s upper register—particularly in the famous aria Chi bel Sogno di Doretta—there were the darker shades that hinted at his past tangos with roles like Papageno and Werther’s Albert. His resonant, assured tone balanced both the braggadocio inherent to the character with an underlying, poetic sweetness that went down like a strong glass of port. Prunier’s two arias coincide almost back-
to-back in the first act of Puccini’s ode to Viennese operetta and Strauss’s Der Rosenkavalier, stretching the tenor’s top range but also making ample use of the lower register. It’s no mean feat for any singer, but Morales rose to the challenge…Morales elicited a large amount of laughs and applause for his witty and urbane take on Prunier.” Other publications such as Colorado Daily Camera painted Jonathan in the world premiere of Opera Colorado La Curandera as ““…Most impressive of the group…and…a baritone and gifted actor whose future in opera would seem secure." As he continues pursuing his career in New York, he looks forward to future engagements including the Annual Showcase Gala with Chelsea Opera, the Sailor in Dido and Aeneas with Morningside Opera, and his full length operatic directorial debut with Kurt Weill Seven Deadly Sins with Mannes College. He continues to look forward to entering his 3rd year of cantoring duties at Saint Paul the Apostle Catholic Church, located in the heart of New York City Lincoln Center, Jonathan has performed over 40 roles from operas including Carmen, Falstaff, La Rondine,

The Merry Widow, Die Zauberflote, Werther, Gianni Schicchi, Hansel and Gretel, The Pirates of Penzance, The Tender Land, The Face on the Barroom Floor, Le Comte Ory, The Consul, La Boheme, Iolanthe, The Elixir of Love, The Impressario, Gallentry, Lucia di Lammermoor, Le Nozze di Figaro, and La Traviata. He has performed with various companies and organizations such as The Dallas Opera, Opera Colorado, Martina Arroyo Prelude to Performance, Morningside Opera, Chelsea Opera, The Living Opera, Colorado Light Opera, Mannes College, Florida State University, Rice University, and Granbury own The Granbury Opera House. Jonathan awards include being a winner in the Denver Lyric Opera Guild Vocal Competition, Winner in the National Association of Teaching Singing Competition (Texas/Oklahoma), Best
Performance in a Male Lead with Opera in the Ozarks, and winner in the Houston Area NATS Vocal Competition. In December 2013, Jonathan was a featured soloist on CBS’s A New York Christmas to Remember, hosted by Regis Philbin, featuring the National Children’s Chorus and puppets created by famed puppeteer, Jim Henson. Jonathan was most recently seen singing on The Late Show with Stephen Colbert in celebration of Pope Francis’s visit to New York. Jonathan has Professional Studies Certificate at The Mannes College of Music. He also received his Master of Music from Florida State University, and Bachelor of Music from Rice University in Houston, TX.

Joshua Simka, of Pompano Beach, Fla., has sung excerpts from the roles of Tamino, Tonio, Nemorino, and Lurcanio. At Opera America, he sang the role of Rudi in a presentation of scenes from a new opera called Steal a Pencil for Me by Gerald Cohen. Simka has also sung in opera choruses and given shared and solo recitals. He sings with choirs and as a soloist at churches throughout New York City. Also a writer, Simka is the assistant editor at The Juilliard Journal and has written a number of articles on opera and song. He has also contributed to the industry publication Musical America. Simka studied voice with Edith Wiens and Marlena Malas while completing his undergraduate degree at Juilliard and his teachers also include Ruth Golden and Greogry Lamar. He has studied orchestral conducting with Mark Shapiro.